By Milton A. Cohen
Beleaguered Poets and Leftist Critics heavily examines the dynamics of those responses: what those 4 poets wrote—in letters, essays, lectures, fiction (for Williams), and most significantly, of their poems; what they believed politically and aesthetically; how critics, really leftist critics, reviewed their paintings; how those poets reacted to that feedback and to the wider milieu of leftism. each one poet’s reaction and its next effect on his poetic output is a different case learn of the conflicting calls for of artwork and politics in a time of significant social change.
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